Astonishing Accomplishments

I posted this summary in several places yesterday.

Okay, something crazy I have to warn you all about. Apparently, when someone challenges you to do something you thought you couldn’t do, then you successfully DO THE THING you thought you couldn’t do, and then YOU’RE NOT DEAD afterwards, you JUST MIGHT start thinking afterwards about other crazy things you thought you couldn’t do and now you’re gonna DO THEM.

You know. In case you needed a warning. Doing stuff makes you start to believe you can do stuff.

So, go do stuff! ❤❤❤❤❤❤❤❤

I feel it deserves a longer journal post to describe what I’m talking about.


It started with an off-the-cuff conversation with a friend and peer within my dance community. I was helping consult with some web design things and we were comparing notes about our local communities of students, troupes, and fellow dancers. I conveyed that I was impressed with the travel shows that she and her students had been performing at and how I’d love to join them someday. So she said, “Dance with us in Los Angeles in February 2018.” And I thought, “Oh cool!”

Then she sent me the music and the plan for the show: 13 songs, 45+ minutes on stage. 

FORTY-FIVE MINUTES ON STAGE.

Maybe this doesn’t resonate with the uninitiated. Up until now, performances I have participated in have ranged from 6 to 15 minutes long, max. And those are exhausting. We put our whole selves into the show, partially BECAUSE we do an improvisational dance form. We cannot let our minds wander. We have to stay alert and ready and thinking, as well as performing physically.

I’ve also only participated in a specific class-format called “Flow” a few times. It’s set up as 60 minutes of non-stop dancing, in sets of 15 minutes (with short breaks to grab a drink of water). The first time I tried to do flow, I barely lasted the first 15 minutes without dropping my arms. By the last set of 15, I was sitting on the floor, crying, and trying to keep up with some of the arms work. (Granted, my knee was in the worst shape possible at the time and I’d just danced for 2.5+ days of workshops. But still.) A year later, I made it through most of Flow without dying. But my new job has a long walk between parking and my building, and I still don’t like to do the entire walk without stopping at least once to give my knee and back a moment’s rest.

How in the world was I going to keep up with 13 songs and 45 minutes of dancing, no breaks, with a troupe of dancers who practice together all the time? I started with an ambitious plan to practice my stamina building every day for the 70-80 days before the performance when I was first told about this. But like many “grand ideas,” I let other tasks in life take precedence and I really did not train much.

But I do teach 60-minutes at a time. So I kept telling myself that 45-minutes of dancing is still less than 60-minutes of teaching dance, so I would be able to do it. I brought a chair to ensure I wasn’t in pain from standing around for the 1.5-2 hours before the show. And I made certain to take ibuprofen, hydrate sufficiently, and just sweet talk myself into believing I could do it. 

To be honest, I really was frightened I was going to collapse in tears and pain.

And in the last 1-2 weeks or so, my friend the troupe leader sent me the other details: I would be in the chorus for X, Y, Z songs and on the stage center for A, B, C songs. Oh!! There was a plan!! There was a shared burden between all the dancers! No one had to be out in the center for every song! I wasn’t going to have to guess when I needed to be on stage! (And for those who are curious, I was slated to be in songs 1, 4, 5, 6, 12, and 13.)

 

One of my favorite shots. I love the juxtaposition between the calm face, solid feet, and that twirling skirt!

Obviously, I didn’t die. I didn’t collapse. I didn’t drop out when we were on stage. 

Marie believed in me. Her whole troupe believed in me. Then I believed in me, and I accomplished something seemingly impossible.


The story doesn’t end there. I had to teach the very next day, and I was more than a little nervous about how exhausted I might be. And you know what? I wasn’t any more tired or sore than usual. Class was wonderful, my students were awesome, and again, I did it. 

Now I’m thinking about an impossible challenge I’ve been wanting for a while now: I want to host and teach/lead a Flow class regularly for any ATS dancers in my area. The “class” is not an opportunity for instruction. It’s just dancing, just following (the leader), it’s just a time to let your body take over and your mind to take the back seat. I’ve been so intimidated by my inability to keep up in Flow at earlier opportunities that I thought it would be years until I could host/lead such a class. 

But this experience has taught me that I am far more capable than I thought I was. And my students are in for the notion that they would attend Flow and dance for the entire hour. 

So I’m going to make it happen. All because someone thought I could do something that *I* didn’t think I could do. And I did it.

The entire group of Roya Tribal who were able to be at the February 2018 LA Travel Adventure Show (and me)

And one more photo of joy…

I love the looks on our faces

Click to see the Full album of photos on Google Photos